The hard and the soft of it
Posted: Sat Oct 29, 2022 12:47 pm
I haven't built a guitar in a long time. Thinking about taking the plunge again.
I would really prefer to use the wood I have on hand, as I have way too much of it. But it seems I have a lot of woods that just don't go together terribly well.
I'm thinking of building something vaguely Tele-esque (a solidbody). I have some 4/4 lightly curled ash that I've pretty much decided to use for the top. I'd like to use alder for the backside, but I don't have any, and can't find any locally - can find hardly any anywhere, certainly not for a reasonable price. I could buy some poplar. Ugly, but usable. I could get some basswood. Or I could use spruce. I have a spruce 2x6 (three-piece glue-up) that has no knots at all.
My concern with the basswood and spruce options is the contrast in hardness between these woods and the hard White Ash. Do you guys think that would be an issue, for instance sanding the body edges uniformly. And what about attaching a bolt-on neck to a spruce neck pocket?
I remember once making a couple guitars with poplar and yellow pine bodies, respectively. I had trouble keeping the surfaces level because of the difference in hardness between the late and early wood in the case of both woods. I suppose a cabinet scrapper would be something to consider in such situations.
And yeah, I do tend to overthink these things.
I would really prefer to use the wood I have on hand, as I have way too much of it. But it seems I have a lot of woods that just don't go together terribly well.
I'm thinking of building something vaguely Tele-esque (a solidbody). I have some 4/4 lightly curled ash that I've pretty much decided to use for the top. I'd like to use alder for the backside, but I don't have any, and can't find any locally - can find hardly any anywhere, certainly not for a reasonable price. I could buy some poplar. Ugly, but usable. I could get some basswood. Or I could use spruce. I have a spruce 2x6 (three-piece glue-up) that has no knots at all.
My concern with the basswood and spruce options is the contrast in hardness between these woods and the hard White Ash. Do you guys think that would be an issue, for instance sanding the body edges uniformly. And what about attaching a bolt-on neck to a spruce neck pocket?
I remember once making a couple guitars with poplar and yellow pine bodies, respectively. I had trouble keeping the surfaces level because of the difference in hardness between the late and early wood in the case of both woods. I suppose a cabinet scrapper would be something to consider in such situations.
And yeah, I do tend to overthink these things.