Re: In search of inlay technique
Posted: Tue Oct 17, 2017 5:39 pm
I recently completed my first inlay with gold MOP.
Here's what I did for reference:
My shell blanks were 1-inch square.
I used a jeweler's fret saw. I was suprised at how fast it cut.
I ran into a problem of holding the shell while sawing.
I cut paper pattern pieces and glued them to the shell with titebond.
I then glued the shell blanks to a piece of veneer. Much easier to hold.
A couple of small shell pieces went flying, and I did not bother trying to find them.
To cut the cavity, I applied double sided tape to the fretboard and adhered my paper pattern to that.
I cut the pattern out with an Exacto and removed the paper and tape cutouts.
I then painted the cutouts with whiteout.
I used a Dremel with the SM base to cut the inlay cavities.
I filled open spaces with Ebony dust mixed with Epoxy. I tried CA, but it was too black and shiny.
It took me 10 hours to do this.
Regards,
Dan
Here's what I did for reference:
My shell blanks were 1-inch square.
I used a jeweler's fret saw. I was suprised at how fast it cut.
I ran into a problem of holding the shell while sawing.
I cut paper pattern pieces and glued them to the shell with titebond.
I then glued the shell blanks to a piece of veneer. Much easier to hold.
A couple of small shell pieces went flying, and I did not bother trying to find them.
To cut the cavity, I applied double sided tape to the fretboard and adhered my paper pattern to that.
I cut the pattern out with an Exacto and removed the paper and tape cutouts.
I then painted the cutouts with whiteout.
I used a Dremel with the SM base to cut the inlay cavities.
I filled open spaces with Ebony dust mixed with Epoxy. I tried CA, but it was too black and shiny.
It took me 10 hours to do this.
Regards,
Dan